[SLIPPAGE] no. 1 | spring 2013 | THE CONFLUENCE OF SCIENCE AND ART
IN THIS ISSUE


VERSE
"Obscenity - the Holographic Principle," Jessamyn Smyth
"Dutchman's Breeches," Dave Bonta
"An Origami Clock," Bill Knott
"Charles Darwin's Grandfather," Robin Chapman
"Deformation and Recoil," William Doreski
"Pounding the Table," Deborah Kreuze
"but science cannot explain the bicycle," Shawn Hoo
"standard anatomical position," Kyle Apgar
"Persistence of Vision," Dave Hardin
FICTION
"A Short History of Medical Deregulation," Linda Peer
ART
"Composition Extract II," Eleanor Gates-Stuart
"Precipitation" series, Francesca Samsel
"Magic Forest" series, Andrew Carnie
"Breadscape," Eleanor Gates-Stuart
"Chaos Theory 1," Fabio Sassi
"MAGICal Cluster II," Eleanor Gates-Stuart
"Bug College 4 77," Ira Joel Haber
"Osmosis" series, Francesa Samsel
"MAGICal A," Eleanor Gates-Stuart
" Dimensions In/Of Perception," Andrew Carnie
"MAGICal Blue," Eleanor Gates-Stuart
PHOTOGRAPHY
"Bringme," Eleanor Leonne Bennett
"Lab Building, Ghana," Charles Hood
"Poems of love," Eleanor Leonne Bennett
NONFICTION
"Excerpts from Fleeing from Absence," Olga Ast
"Dimensions In/Of Perception," Andrew Carnie
"Counting the Species Exploding Past Us Like a Super Nova," Charles Hood
"Math Is Ugly," Lucy Merriman
"The Human Element," Richard Nester
"Into the Magic Forest," Andrew Carnie
"An Interview with Eleanor Gates-Stuart," [Slippage] Staff
far left: "Dimensions In/Of Perception," Andrew Carnie; left: "MAGICal A," Eleanor Gates-Stuart